Elizabeth Wein answers a question

Oy, if you’re a Code Name Verity or Rose Under Fire or Black Dove, White Raven fan and you haven’t read the rest of Elizabeth Wein’s books, namely the Lion Hunters series… I’m blaming you for delaying the publication of The Sword Dance, the next book in the series.

Over at Goodreads, EWein answers why this book hasn’t been published yet, even though she finished writing it YEARS AGO:
EWein on Telemakos

The books have been out of print for a while but the ebooks are available through Open Road Media (and they have matching covers)! I’m going to make your life easier and share the links here:

The Winter Prince ebook A Coalition of Lions ebook The Sunbird ebook The Lion Hunter ebook The Empty Kingdom ebook

The ebooks are even free when you have a Kindle Unlimited account. Telemakos deserves more love, people. Go forth and read the books about him.

EWein Special Ops: A Sense of Place

For the last guest post for EWein Special Ops, we have the Elizabeth Wein herself sharing something about her writing. Plus an exclusive artwork that hasn’t been published anywhere else before.

YAY, EWein! *claps enthusiastically*

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A Sense of Place
by Elizabeth Wein

I’m writing these words from Scotland, on the western edge of Europe. I don’t know where Chachic will be when she posts them for the world to read: Manila in the Philippines? Singapore? Somewhere on the Asian side of the Pacific Rim, anyway. I know for a fact that two of the contributors to this wonderful and flattering celebration of my books are based in the United States and one is based in Canada. Never mind the content of this week’s Book Nook postings—just think about the origins. What you’re reading here this week is coming from random points all around the world, and you’re reading it at a different random point somewhere else on the face of the global map. I think that’s pretty cool.

I am not a cartographer and I am not really a map nerd, but I have never written a novel—or even a short story—without referring to a map. A real one. I drew my own maps for my Aksum books, and I am extremely proud of them, especially the one of South Arabia which appears in The Lion Hunter and The Empty Kingdom.

You can read the books without the maps, though. They don’t really matter, except in that they are a physical and visual manifestation of the setting. It is the sense of place that counts.

My favorite books have always been those that have a strong sense of place. When I think back to the fantasy writers who shaped my teenage reading, the ones that leap immediately to mind are Alan Garner, J.R.R. Tolkien, and Ursula K. LeGuin, and guess what? The books I loved best by these writers all include maps. Garner’s show a landscape based on a real place; Tolkien’s and LeGuin’s show imaginary countries, but that doesn’t make the settings for their fantasy worlds any less real in the context of their books. The world almost becomes a character in the novel itself. Setting shouldn’t just be there as a backdrop; a good sense of place will make a setting, fictionally speaking, into a living, breathing organism like our own planet, and the author’s love for and familiarity with the world of his or her creation guides us through the unfamiliar landscape like a virtual map.

The fictional worlds I love best stand on their own, even after the story’s characters have moved on to Westernesse or the Dry Land. You could set your own story in any of these places, celebrating the world the way fanfiction celebrates fictional characters.

ewein alderley edge 1984

That’s pretty much what I did with The Winter Prince. I set my first novel in the same landscape where Alan Garner set his first novel, The Weirdstone of Brisingamen. Alderley, elder lea, Elder Field—“the Edge over Elder Field” is “Alderley Edge,” get it? To be fair, I claim some right to this landscape myself. I lived for a year in a house which still stands on the “site” of my fictional Arthurian “estate at Camlan.” My father read Garner’s Weirdstone aloud to me before I could read, under the shadow of the Edge itself, and this magical landscape got under my skin and stayed there. My ancestor did not carve the Wizard’s Well or design the stone circle there, as Alan Garner’s did; I do not have Garner’s blood right to that landscape. But as Lleu comments when Medraut shows him the rippled roof of the caves under the Edge for the first time (just as my father long ago showed them to me), “Dare anyone say he owns this?”

Lleu and Goewin’s fictional Elder Field of The Winter Prince is not Susan and Colin’s fictional Alderley of The Weirdstone of Brisingamen, any more than Alan Garner’s childhood is my own. But Garner’s connection to the real world he lives in, and the way that connection shapes his imaginary fictional worlds, became a lifelong influence on my own writing.

It’s interesting how “place” can also influence the creative process as I’m shaping a story. When I was writing Code Name Verity, I reached a point where all I really wanted to do was write about Scotland, where I live now. None of the action of Code Name Verity took place in Scotland at that point, and there wasn’t any reason for it to. But I was letting my Scottish narrator have quite a bit of free rein with the telling, and there was much about her that I didn’t yet know, so I figured we could both write about Scotland for a while and see where it went. The scene-setting—with its branch line railway and haunted castle and the one flight in the book that I actually made myself—was sheer indulgence. The plot points that came out of it—a key character recruited to RAF Special Duties—were integral to the novel. I hadn’t seen either narrative device coming. But how wonderful, and amazing, that they can work together like that.

Goewin and Lleu. Artwork by EWein.

Goewin and Lleu. Artwork by EWein.

It seems appropriate, when so many people have come together from such immense distances to celebrate my work here, to have had this chance to celebrate and share with you some of my thoughts regarding the notion of place within the story.

I also want to thank Chachic for bringing together this stellar group of writers and readers and friends who have spent this holiday week, in various corners of the world, thinking and dreaming and writing about the worlds I have described in my books—some of them harsh, some surprising in their beauty, some embellished by my imagination, but all of them rooted in truth. It is just humbling to read your words of praise and encouragement. It means that my own words are not just being thrown out there into a vacuum. You are passing them on.

Happy new year to all readers all across this world!

With love & gratitude, E Wein

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Thank YOU, EWein! I love the sense of place that well-written books can give its readers. And I love maps in books. I even took a picture of the one inside The Lion Hunter and The Empty Kingdom:

Lion Hunters map

This concludes EWein Special Ops. I hope you all had fun going through the posts. The giveaways are still open until next week, click here to check them out.

EWein Special Ops

EWein Special Ops: Reading The Lion Hunters Post CNV

Brandy blogs about fantasy and realistic novels (both middle grade and young adult) at Random Musings of a Bibliophile. She read and loved Elizabeth Wein’s Lion Hunters novels this year and in this guest post, she gives her perspective on what it was like to read these Arthurian books after she’s read Code Name Verity.

Give it up for Brandy!

Random Musings of a Bibliophile2

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Being a member of Sounis (fan central for Megan Whalen Turner’s books) I had Elizabeth Wein’s Lion Hunter series recommended to me several times. And I tried. I tried so many times. I have to be honest though, I am not and never have been a huge fan of the Arthurian legend. There is too much that creeps me out. This was a huge obstacle for me when it came to reading The Winter Prince. I tried so many times, and each time I went a little further, but I always ended up not finishing.

Not because it is badly written. Oh no. Yes, this was Wein’s (actual) debut novel, but Ms. Wein is an amazingly talented writer and her debut novel has more craft and skill in it than most people’s fourth or fifth. No, I couldn’t finish it because she is just too good at what she does, making you feel and know everything her characters do. As a result, Code Name Verity was the first of Wein’s novels I truly experienced. After that I could not imagine not going back and reading everything else of hers I could. I didn’t even care that I had to work to locate copies that were no longer in print. I did it happily.

And I still wasn’t able to finish The Winter Prince. I didn’t let it stop me this time. I just skipped it and went on to A Coalition of Lions. Then I devoured the rest of the series within a week. There is so much to love about this earlier series and it deserves far more attention than it gets. Even now after the popularity of Code Name Verity and Rose Under Fire, it still isn’t as widely read as it should be. Too many people still refer to Code Name Verity as Wein’s debut novel. That needs to change. If you are a person who loves Wein’s writing in her two latest novels, there is nothing that will stop you from loving these too.

What can you expect to get from these books? The same care and attention to character development you found in Code Name Verity. These are characters you will come to know and love, particularly Telemakos. I don’t know how any one could walk away from reading The Sunbird without him owning a huge chunk of their heart. The historical period is brought to life in such a way that you actually feel you are there. This is Ancient Ethiopian historical fiction too. No one can complain they have too much of that in their lives. Readers can also expect to see the same brilliant ability to bring hope and beauty out of despair and destruction.

You won’t even have to hunt them down like I did. They are now available as e-books. There are no excuses.

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The Winter Prince ebookA Coalition of Lions ebookThe Sunbird ebookThe Lion Hunter ebookThe Empty Kingdom ebook

Thank you, Brandy! No excuses indeed. Click on the covers above to grab copies of the ebooks.

EWein Special Ops

EWein Special Ops: Being Brave

Maureen is a library assistant who blogs at By Singing Light. Elizabeth Wein is one of her favorite authors and today, she talks about the theme of courage present in all of EWein’s novels.

Please join me in welcoming Maureen to EWein Special Ops!

By Singing Light

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“I AM A COWARD,” Verity says right at the beginning of her story. “I wanted to be heroic and I pretended I was… But now I know that I am a coward.”

Of course, the truth is more complicated. In fact, one of the brilliant things about Code Name Verity is the way it shows you a character who claims to be one thing, a coward, while disproving that again and again. To be frank, thinking about her bravery, the sheer audacity of it, takes my breath away and moves me to tears at the same time.

But it’s not just Verity herself. There’s Marie, the French Resistance lassie, and Mitraillette and the rest of the Thibauts. There’s Anna Engel, risking her life every time she does not translate exactly what is written, giving Maddie a scarf. And Georgia Penn, speaking of audacity. Read her scene again and think about the courage it would take for both her and Verity to enact that careful dance of words and movements. There’s Maddie, finding the strength to do the hardest thing, and then to keep living afterwards. And there’s Queenie’s mother, leaving the window open.

(Pause to mop up.)

But bravery is a strand that runs through all of Elizabeth Wein’s books. In Rose Under Fire, there are not heroics in the usual sense, in the Verity sense. The bravery there is required to keep living, to stay human under circumstances that are designed to keep you from doing either. It’s perhaps quieter than Code Name Verity, but it is just as present and just as intense. Starving women standing for hours in the snow rather than giving each other up.

It’s in The Winter Prince, in Lleu struggling against sleep and Medraut struggling against the darkness in himself. It’s in A Coalition of Lions, in Goewin leaving Britain behind, setting out alone into the unknown. Certainly it’s in The Sunbird — like Verity, Telemakos leaves me breathless. And in The Lion Hunter and The Empty Kingdom, he must find a different kind of courage to win through a situation that looks impossible.

It seems to me that in all of the books, courage is one of the markers that point us toward the moral characters. When so many of them occupy a morally grey area, it is a signpost that tells us who deserves our care. Von Linden and Anako fail their tests; they do not even have the bravery to do their own dirty work. (Von Linden is a much more complex character than Anako, but in a way that makes his failure greater.) Even Nick, in Rose Under Fire, doesn’t have the courage to wait for Rose. On the other hand, Anna Engel acts with courage, as does Medraut. It’s this quality that sets them on the other side of that line.

It’s worth noting that the kind of courage I’m talking about, the kind that these books value, is not the same as honor. It’s not even necessarily physical courage, although it can be (in The Sunbird, for example). It’s not limited by age — see Telemakos and Amelie Thibaut — or by gender — see EVERYONE. Not the courage to fight the war or fire the gun, but the courage to do what is right, to face darkness internal or external and not give in. It’s the strength to keep going, to fly the plane.

This courage is not found in isolation. The friendship at the heart of Code Name Verity is not an accident. Verity retells the story of Queenie-and-Maddie, the sensational team, precisely because it gives her strength. Outside of that bond, Mitraillette is the one who keeps Maddie together in those frightful first days after the bridge. For Rose, in Ravensbruck, it’s Irina and Roza especially, but the whole of Block 32, which “was really, really good at propping people up.” Even Telemakos in Abreha’s palace is driven by Athena, proves himself with the other palace children.

And it’s Goewin and Telemakos under the city, drawing pictures on each others’ hands to chase away the darkness. It’s not an accident that the image of hands keeps showing up, from Arthur’s hands on Medraut’s shoulders in The Winter Prince, to A Coalition of Lions. And again in Code Name Verity with Marie and Verity (“the backs of our hands were touching”); on the cover of the US edition; with a hand on Maddie’s shoulder while she flies. And yet again when Rose and Irina share that secret symbol of who they are: taran. Wein’s books consistently undermine the narrative of lone heroes: again and again, we see that we are saved in the company of others, that in the dark places the important thing is who stands beside you.

After all, that’s what stories — the best stories — are. A light to see by, a hand holding yours in the dark.

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Thank you, Maureen! I love that last line.

EWein Special Ops

EWein Special Ops: Giveaway (Ebook and Signed Copies)

Maligayang Pasko! 🙂 Merry Christmas, everyone! I hope you’re all having a festive holiday season with your friends and family. Ours is more subdued than usual because my Lola (grandmother) passed away a few days ago and we spent Christmas at the funeral home.

EWein Special Ops

I hope you’re all enjoying the guest posts for EWein Special Ops so far? To celebrate the blog event, both Open Road Media and Elizabeth Wein have generously provided copies of her books to be given away during this week. I thought Christmas is the perfect day to bring up giveaways. The three copies are:

  • One ebook copy of either The Winter Prince or The Sunbird from Open Road Media (winner gets to choose)
  • One signed print copy of A Coalition of Lions from Elizabeth Wein
  • One signed print copy of The Sunbird from Elizabeth Wein

Unfortunately, WordPress doesn’t allow users to embed Rafflecopter widgets in free blogs so please click on the links instead:

The giveaways are open internationally and the winner will be chosen on January 2. Good luck and please spread the word about it!

EWein Special Ops: Artwork and Guest Post from RosaleeLuAnn

RosaleeLuAnn is a fellow member of Sounis. She’s an artist who makes fanart for some of the books that she loves (link to her Deviantart page). I’ve asked her to talk about the two pieces of art that she’s made related to Elizabeth Wein’s novels.

Welcome to EWein Special Ops, Rosie!

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Telemakos by Rosie

The first and most obvious reason I made these fanart pieces is that I love Elizabeth Wein’s books – I loved The Winter Prince ever since I picked it up, and have enjoyed all of her books since. (I still haven’t got my hands on a copy of Rose Under Fire, though I plan to pick it up soon.)

Though The Winter Prince is still my favorite of Elizabeth Wein’s books, The Sunbird and Code Name Verity were very significant to me as well, which is why I think I felt driven to create some fanart for those books. Which is strange because reading these two books in particular was more painful than most reading experiences I put myself through.

I particularly remember the time I first read The Sunbird, there was a certain side of the couch with a lamp nearby where I would always sit to read – it was my spot. My roommates had all become used to me verbally reacting to what I read, sometimes very loudly, and usually completely oblivious to who was there or what was going on. Usually, it was laughter coming from that corner – around that time I was making my way through the Lord Peter Wimsey books, and Lord Peter says some funny, funny things, and when he does, I laugh. But anyway, as I was reading The Sunbird, my roommate came over to ask if I was OK. “I’m used to laughter from you while reading, but you weren’t laughing. It sounded like you were being repeatedly impaled by a spear.”

Oh, Telemakos. Why are you so awesome. It hurts.

Aside from just loving the books, there were a few other reasons for wanting to make the pictures. At the time I had just recently learned how to paint in Photoshop, and I wanted to experiment with painting something for fun. Also, Telemakos is just such an interesting-looking character, I wanted to see how he would come out if I tried to paint him.

Code Name Verity by Rosie

It wasn’t until years later that I made the Code Name Verity piece. I was actually still trying to learn how to paint in Photoshop (Illustrator is still my preference – vectors just make more sense to me, for whatever reason), though I had gained a little bit more experience by then. I was very rusty with painting and art in general because I had just served an 18 month mission in the Philippines (gusto ko talagang bumalik sa Pinas!) and hadn’t really done much other than sketching in that time. I read Code Name Verity and loved it, but again, like The Sunbird, it was a very painful (and completely wonderful!) book. I remember specifically wanting to find a happy scene to illustrate, one about the friendship that is the center of the story. I didn’t have anyone to be a model for the photo reference except myself, so thats the reason that the facial structure on both faces looks really similar. I also only had the vaguest idea of what they were supposed to be wearing and nothing really to use as a costume, so I completely made that up. Also, I didn’t have a tablet, so I painted it with the little mouse pad thingy you use on laptops instead. All I wanted was to have fun making a piece of fanart for myself, it was extremely satisfying when others, including Elizabeth herself, liked what I did.

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Thank you, Rosie! I think you did a great job with both of these pieces. I wish I was as artistic as you are.

EWein Special Ops

EWein Special Ops: Pushing the boundaries of Young Adult

Rachel Neumeier is the author of fantasy novels House of Shadows, the Griffin Mage trilogy, The Floating Islands and The City in the Lake. I love chatting with Rachel about the books that we love because I feel like our tastes in books overlap. I knew I had to ask her for a guest post for EWein Special Ops since I know she enjoyed reading Elizabeth Wein’s novels.

Give it up for Rachel!

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Elizabeth Wein: Pushing the boundaries of Young Adult

Rachel NeumeierI should start with a confession: I haven’t read CODE NAME VERITY. Nor have I read ROSE UNDER FIRE.

But I have an excuse! See, if I am working on a new book of my own, I really can’t read anything that is too emotionally compelling. Because if I start a book like that, I am going to be forced to drop everything and finish it, and that kind of compulsion is not your friend when you have work to do. Plus, a truly brilliant story lingers for days or weeks in my mind, its characters and story and setting suggesting different characters and stories and settings I would love to write. This makes it much, much harder to get back to my current work-in-progress.

No, the right choice when I’m busy is a book I’ve read several times before, or else nonfiction.

Books like CODE NAME VERITY and ROSE UNDER FIRE are the ones I set aside as a reward for finishing a major project. With any reasonable luck, I expect to read both of them, plus a couple of other special titles, somewhere in the second half of February, once I’ve finished the first draft of my current WIP.

And how do I know that these two titles are worth holding out as a special treat? Particularly as I have been avoiding reviews of them, since I don’t want to be deluged with spoilers? Well, because they’re by Elizabeth Wein, that’s how.

The first book I ever read by Wein, just a year or two ago, was THE SUNBIRD. I think I must have picked it up at a library sale or something, which goes to show why library sales are worth checking out, because THE SUNBIRD immediately wound up on my (very short) list of Truly Perfect Books.

Telemakos is simply one of the great YA protagonists of all time. He is clever and kind, but you will never confuse him with all those other clever, kind YA protagonists. We first meet him like this:

Telemakos was hiding in the New Palace. He lay among the palms at the edge of the big fountain in the Golden Court. The marble lip of the fountain’s rim just cleared the top of his head, and the imported soil beneath his chest was warm and moist. He was comfortable. He could move about easily behind the plants, for the sound of the fountains hid any noise he might make. Telemakos was watching his aunt.

And if that doesn’t immediately make you curious, I don’t know what will.

Telemakos has a very good relationships with his aunt, by the way. His whole family is fascinating and beautifully drawn, all the family members sympathetic but far from perfect, all the relationships strong but complex.

I will just mention here that this story is actually part of a five-book set which begins with an Arthurian story before heading off in its own direction, so that various members of Telemakos’ family have actually stepped directly out of Arthurian legand. THE SUNBIRD is a fine place to start and stands alone just fine, but the series as a whole consists of THE WINTER PRINCE, A COALITION OF LIONS, THE SUNBIRD, THE LION HUNTER, and THE EMPTY KINGDOM. Each leads to the next but stands alone, except for the last two, which together comprise a single story.

So, Telemakos. Telemakos reminds me of Megan Whelan Turner’s Eugenides, but he’s not the same – his strengths are different, and so are his weaknesses, and so is his family and the world through which he moves. Most of all the world, which informs all the rest. Because though THE SUNBIRD draws on Arthurian legend, it is set in the African country of Aksum.

Aksum is simultaneously engaging and fascinating and charming and terrible. Generally an author of historical novels ratchets back the sheer horror of so much of history in order to appeal to modern readers. There may be slavery, for example, but we aren’t generally shown the sheer unutterable dreadfulness that attends some kinds of slavery.

If Elizabeth Wein pulls back from showing us horror, I sure can’t tell. Two of the scenes in THE SUNBIRD are among the most intensely horrific scenes anywhere. Those scenes would be unbearable in the hands of another writer. Yet Wein pulls them off – even for me, and I have a fairly low tolerance for grim – through her sheer skill with language and by creating a story whose overall structure and themes are thoroughly positive.

But still, intense is definitely the word.

And that is why I am waiting for a break before I read CODE NAME VERITY and ROSE UNDER FIRE.

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Thank you for the lovely words, Rachel! I’m pretty sure you’ll love both Code Name Verity and Rose Under Fire when you get the chance to read them.

EWein Special Ops

EWein Special Ops: Introduction and How I Discovered Her Books

EWein Special Ops

I’m so glad that EWein Special Ops is here! EWein Special Ops is a blog event celebrating Elizabeth Wein’s wonderful novels. I have been a fan of her work for YEARS and I’ve been wanting to organize something like this for a while now. I’m glad I’m able to do it before the year ends. Watch out for guest posts from authors, fellow bloggers and fans throughout the week. On Twitter, I’m using the hashtag #EWeinSpecialOps if you want to keep track of tweets. If you’re interested in writing about anything related to EWein’s novels in your own blog at any point during this week, give me the link to the post and I’ll spread the word about it. As an aside, I love that I was able to find a picture of a younger EWein feeding a bird because I think it’s perfect for the event poster. I hope you all like it too.

Foxing The Sunbird

First page of my first copy of The Sunbird

To start things off, I thought it would be a good idea to talk about how I was introduced to EWein’s writing. I first found out about her back in 2008. That was before I had this book blog and at that time, I mostly got recommendations for the books that I read from Sounis, the LiveJournal community for fans of another author: Megan Whalen Turner (MWT). If you have been following my blog for a while, then you’re aware of how big a fan I am of MWT’s books. I even hosted a Queen’s Thief Week last year. So whenever someone recommends a book for readers who love MWT’s work, I sit up and pay attention. EWein’s Lion Hunter series kept being recommended in Sounis, by MWT herself, by R.J. Anderson (author of Knife, Ultraviolet, etc.) and other fellow Sounisians. I knew I had to get my hands on those books as soon as I could. When I went to the local bookstore in Manila to look for the books, I discovered that they only have copies of the last three books in the series: The Sunbird, The Lion Hunter and The Empty Kingdom. I was assured that I could start the series with The Sunbird so this was fine with me. I fell in love with the book and with its main character, the young Telemakos. I read the other two books soon after and they further cemented EWein’s status as one of my favorite authors. I was sorry that The Winter Prince and A Coalition of Lions wasn’t available in the Philippines but luckily, I traveled to the States in 2009 and I was able to grab copies there.

I was ecstatic when I started hearing the buzz that EWein will be releasing Code Name Verity in 2012 because of course, I wanted more of her writing. I knew it was going to be an amazing book, even if it’s different from her Lion Hunter novels, and I was right. I fell just as hard for Verity’s story as I did for Telemakos’. I guess it goes without saying that I was delighted to hear about the release of Rose Under Fire this year and I will always be excited for any new EWein title that will come out in the future.

EWein my own copies

My copies of Elizabeth Wein’s books

That’s the story of how I discovered EWein’s writing, what’s yours? Were her books recommended by someone you trust or you just happened to come across them in the bookstore? Were you introduced to her work through her earlier Lion Hunter novels or through Code Name Verity? For those who first found out about her by reading Code Name Verity, did that make you more curious about the rest of her books? One of the reasons why I’ve wanted to host an EWein week on my blog is to spread the word about the Lion Hunter series because I really think it deserves more attention. And now the Lion Hunter books are readily available in ebook format from Open Road.

I will be traveling from Singapore to Manila today (yay, I’ll be home for Christmas!) so I won’t be able to reply to comments right away but I would love to hear from all of you.

Rose Under Fire US edition

Available for Pre-Order: EWein’s Lion Hunters Novels

A few months ago, Elizabeth Wein’s first two novels in the Lion Hunters series (The Winter Prince and A Coalition of Lions) were released in ebook format by Open Road Media. The next three books in the series (The Sunbird, The Lion Hunter and The Empty Kingdom) are now available for pre-order! They will be available on December 17, just a few days away. I’m so glad these titles will be released as ebooks because it will be easier for more readers to give the books a try. If you’re a fan of Elizabeth Wein’s writing in Code Name Verity and Rose Under Fire then I highly recommend that you read her Lion Hunters books as well.

I kind of feel like the synopsis for the latter three books give spoilers away so skip reading them if you would rather not know spoilery details before reading the novels. Here are links to the first two books if you want to order them (click on the images):

The Winter Prince ebookA Coalition of Lions ebook

Here are the rest of the books for pre-order:

The Sunbird ebookThe Lion Hunter ebookThe Empty Kingdom ebook

Reading order:
The Winter Prince
A Coalition of Lions
The Sunbird
The Lion Hunter
The Empty Kingdom

Or you can start with either A Coalition of Lions or The Sunbird and go from there. I love that the series now has matching covers! The printed editions of these had different cover artists so the covers didn’t match. I just finished rereading A Coalition of Lions for EWein Special Ops and I just started on The Sunbird – I’m almost afraid to continue because I know how difficult things will get for Telemakos.

EWein Special Ops

EWein Special Ops: December 21 to 28

First there was the Queen’s Thief Week:

Queen's Thief Badge

Then there was Marchetta Madness:

Marchetta Madness badge

In December, mark your calendars for EWein Special Ops:

EWein Special Ops

If it isn’t obvious yet, EWein Special Ops will be a week-long celebration of Elizabeth Wein’s novels including her Lion Hunters series, Code Name Verity and Rose Under Fire. That pretty lady in the picture is a younger Elizabeth Wein. I thought the vintage photo would be perfect for the event’s poster. Fellow EWein fans, I hope you’re just as excited about this event as I am. For those who haven’t read any of her books, there’s plenty of time to catch up before December rolls around. 🙂